Review of The Lathe of Heaven

George Orr is having trouble sleeping properly and Dr. Haber helps him. This is, in a sentence, the distilled story of The Lathe Of Heaven by Ursula K. Le Guin. The plot and story, however, are much more complex and send the reader on a strange journey that comments on the power of dreams, the nature of the human unconscious, whether or not human society is perfectible and the at times ethical ambiguity of action and inaction. While I found the book somewhat slow at times, a product of Le Guin’s clear love for ornate descriptions, I was able to read the book over two nights before bed.

I found myself rather amused by much of the purportedly dystopia future that I’d expected Le Guin to describe. I use the word purportedly as I’d noticed the term “dystopia” in a number of reviews of the book and disagree with its use to describe the conditions of the book. While there are clearly problems in this future that read very much like our own – environmental degradation, disease, financial insecurity – they are fleeting and serve more as a counterpoint from which to act upon rather than circumstances that cause reaction. To deny the importance of these social issues in the book, or indeed life itself, is not possible but they are presented in a very different manner than 1984 or Brave New World. They are a motivating force for Dr. Haber only upon the realization the George Orr’s dreams have ethe power to retroactively change time without the present being aware of such a change. I use the word amused as much of the descriptions of the “dystopian” future are, 45 years after it’s publication, holding true. Environmental degradation, racial strife, nationalist wars, gross economic disparity – these issues are as topical now as she’d predicted.

In a Daoist fashion, George Orr accepts this world as it is. The sleep therapist that he sees, however, does not and seeks to use his Augmentor, a machine with several important functions, to first direct George’s power and later transmit it to himself. Concerned by his use and unable to stop treatment, George began as part of a court ordered program for drug users as the Judge believed him that he was taking others people’s pharma quotas. Dr. Haber’s attempts at fixing the world’s ills through the power of the Augmentor, hypnotherapy and George Orr’s dreams leads to a number of somewhat humorous changes to world history. After Dr. Haber suggests that George make the world free of racism all people are on a grey scale. After Dr. Haber suggest that nationalist wars no longer continue, the world unites to fight off an invasion by aliens that look like sea-turtles and are later revealed to be peaceful and somewhat stupid.

One of the aspects of the book that I liked very much in the first half was the hypnotic inductions and patter of Dr. Haber. It was aligned with the training that I’ve received in hypnosis through FICAM. The research that Le Guin spent on this is clear and allows even the laymen reader to be immersed in the Dr. Haber’s perspective and practice.
In some of the reviews on Amazon I noticed that a number of readers connected this book to Hayek’s The Road to Serfdom. I don’t think that it’s unfounded. There are signs that hint at criticism of crypt-socialist views. A name like Dr. Haber can be associated with Ashkenazic Jewry, those that were often drawn to the socialist credo in Europe in the early 20th century, and has a clear resonance with Sigmund Freud. I believe such a reading, while interesting and valuable for some of the connections it is able to uncover, misses some of the nuances of the book. The somewhat stupid but benevolent aliens, a key component in Orr’s coming to understand his powers, after all have no equivalent in an simple analogy between the two books. Most tellingly, there is no amount of honest exegesis that one can do to the text to create a corollary connecting the wishes of a single, well-intentioned psychiatrist to a socialist party. Hayek and the scientific socialists he seeks to warn others about both state that comprehensive social changes is a collective effort. Secondarily the rational notions that Dr. Haber seeks to enact always have, as mentioned above, wholly unpredictable effects. While one could easily say that George, representative of the working class, is exploited by the Dr. Haber – beyond the ill fit of the latter as the party there is also the mystical and irrational nature of these changes that are contrary to the rationalism of socialist doctrines. In my reading of the text Le Guin seems more interested in displaying the mystery of the mind and the difficulty that we can have, even with the best of intentions, in manifesting those desires. Her book The Dispossessed offers a less ambiguous view of her socio-political beliefs. This novel, in the end left me in a state of wonder than feeling as if I’d concluded a journey. While yes, the action ends for all the characters in resolutions that seems fitting considering their trajectory – the journey’s that they took to get there are, at least to me, somewhat confounding and so, ironically enough, in a good way.

Review of "The House of Morgan: An American Banking Dynasty and the Rise of Modern Finance"

Despite the fact that I have a stack of books resting on the stand by my bed ready to be read, when I saw a paperback copy of The House of Morgan: An American Banking Dynasty and the Rise of Modern Finance with a deeply broken spine at the Lake Worth Library book sale I decided to pick it up and place it first in the queue. Weighing in at 848 page, this was no small diversion from previously scheduled reading. I was, however, richly rewarded for my decision. It wasn’t a total surprise, it did win the National Book Award in 1991.

How did it do this? The account successfully manages to illustrate the myriad complex legal changes made in the United States from the 1860s to the 1990s in a manner both informative and stylistically compelling. By describing the actions of Morgan personnel, their competitors, those that would seek to regulate them as well as those that want loans the contributions of Pierpont Morgan, Jack Morgan, Tom Lamont, and many others are placed into a context that allows the reader to see the effects that various flows and concentrations of capital had on the world’s political economic system.

The history of the Morgan Bank is periodized into three distinct periods: The Baronial Age, The Diplomatic Age and The Casino Age. The book explains the reasons for the changes that occurs – whether it be increasing public distrust of banks to self-regulate or the increasing capital powers of companies to raise their own capital – and also gives accounts of the most significant issues the leaders of the various financial service companies that spawned from the Morgan Bank following the passage of Glass-Steagall had to face.
In the Baronial Age – most associated with the aristocratic Rothschilds, bankers relied upon an individual’s character and social connections to determine creditworthiness and competition between banks was moderated by The Bankers Code. The Bankers Code was the set of value–judgments that inhibited bankers from poaching clients and getting involved in cutthroat competition so as to make any services provided not profitable. This was an age when most bankers relied upon their connections to aristocrats to do business and as such were highly cultured. England, then the Financial Capital of the World was where George Peabody first began his transformation from rich to wealthy. Peabody, a miser who financed many British and colonial merchant ventures, was the true “founder” of the Morgan Bank. Taking on a young Junius Morgan in the autumn years of his life, it is only after Peabody’s death that Junius is able to gain greater access to elite and rename the enterprise to J. S. Morgan and Co. An Anglophile to the core with blue-blooded heritage, Morgan is able to become the pre-eminent representative of the American financial market. As a representative of the British Bondholders for capital investments in the United States, Junius was constantly advocating for the financial duties of his clients to be fulfilled. Thus though American, he consistently fought for the interests of what were predominantly foreign investors. This was a logical extension of the Bankers Code, which sought to protect creditors’ investment and thus demonstrate integrity. As time went on and national conflict grew this came to be a ticklish task to accomplish without unduly promoting the interests of belligerent states in Europe. This internationalist position ostracized the Morgan Bank from the domestic political leaders of the time, the smaller domestic banks that lacked access to the British and European capital markets and was one of the reasons that much of the press at the time likened them to a foreign power placing undue duress on American working men. The domestic policies, practices and investments of the Morgan Bank, however, elicited much greater public brouhaha in the news of the day. It was typical for Morgan executives to sit on the board of multiple companies that they had loaned money to – a circumstance that lent themselves to being depicted as a financial cabal running the country. During the railroad price wars, for instance, the Morgan banks involvement in holding companies purchases to help create a monopoly line in the North-East and North-West lead to congressional investigations that went largely nowhere. Chernow here also documents how typical it was for the bankers of this era to be so hard working that many died both rich and young. The work culture that Banks imbued is so taxing that a number of associates and partners die prematurely. Also worth noting is the particularly fascinating scene were J. P. Morgan is able to “save” Wall Street nearly singlehandedly.

During the Diplomatic Age, which occurred following the cessation of the First World War and ended a decade after the second – many of these prerogatives, policies changed due to the new situation on the ground. The bank slightly eased its underwriting policies – previously they has only been willing to underwrite “sure-things” – and became, to an extent, an extension of American diplomatic policy in Latin American and Asia. Innuendos voiced by government officials transformed into guarantees on return. Given the rhetoric and history of U.S. involvement in these places, this is understandable. Conflicts between other banks, previously seemingly small, start to become more heightened. The animosity between the Jewish banks and the Anglophile, Anti-Semitic House of Morgan are a partial cause for a new set of hearings. It is also during this time that the bankers heightened service for his clients is tested. As various foreign powers, such as Italy and Japan, began bellicose campaigns in foreign nations under the aegis of self-defense and development Morgan partners defend those that will soon be enemy combatants. The sections on the creation of an Italian-American news group that re-frames Mussolini’s actions in an American context and that is apologetic about Japanese military action in Manchuria. The Diplomatic Age lasts a little bit longer than the end of the Second World War, though this time instead of directly writing loans to destroyed countries seeking to revivify their industries they play predominantly an advisory role. Not only had experience shown that this was a problematic situation for these banks to operate in but also by this time the American Federal Government has successfully bureaucratized and expanded enough that it no longer needed to rely upon private financiers.

By the time of the Casino Age, the Gentleman’s Banker’s Code is practically out the window. Competition created by the resurgence of the defeated WW2 powers and the increasing ability means that the banks need to offer greater incentives to maintain clients as now large industries are capable of raising funs themselves. As a wide variety of cultural productions such as Wall Street, The Wolf of Wall Street, American Psycho, etc. have shown – this is when a massive consolidation of American industry occurs. The shift from Gentlemen Bankers to hot-headed, rash, ultra-competitive bankers marks a total one-hundred and eighty degree shift in the manner in which business is done. Sectoral shifts in policy are often initiated by the House of Morgan – which by now is a number of enterprises that actively compete against each other.

In Chernow’s depiction of these three epochs there are so many biographical/business stories that makes the world of banking not merely come alive but seem much more interesting than it had before. I enjoyed reading about the work-culture of Wall Street as well as getting to understand the minds working behind the scenes. There were several people that I’d like to learn more about, but considering the name of the bank I’d like to focus some thoughts on Junius Morgan.

He is depicted in the book as practically possessed by the need to collect as much of the “great” European art as he can. A telling statement that Chernow discovered is the fear that art sellers had that when he died the prices for their products would drop by nearly half. While I understand his desire to collect all of the treasures of the past that he thought the most edifying onto American shores so that those less financially endowed as himself could have the opportunity to visit it, I can’t help but wonder what would have happened had he encouraged the most talented artists in both Europe and Asia to relocate as a condition of their patronage.

One of the more interesting insights that I learned about Pierpont’s perspective was his attitude on macro-economic policy. Even thought he is considered the incarnation of finance capitalism today as in his own, his perspective was for a managed economy. At a time when an increasing number of attacks coming from the organs of industry promote political candidates that would enact austerity measures on the economy is worth finding examples of capitalists who THEMSELVES state that macro-economic planning principles are the only sound way with which to manage an already large and continuing to grow industrial economy.

While it may seem that this era has little to do with the present it’s worth noting that while talking about a different book of Chernow’s – Titan: The Life of John D. Rockefeller, Sr.Corey Robin posted a quote from this peer of the Morgan’s to Jodi Dean’s Facebook Profile. That commentators on the current state of political affairs continue to look at this period to contextualize the present indicates how a historical, material perspective is needed to understand the world rather than simply decrying an abstract “injustice”. It’s through understanding the people that lobbied and influenced government policies – as well as understanding how those policies function – that one can better understand both Wall Street and U.S. policies.

Much like Liquidated and To Serve God and Wal-Mart The House of Morgan: An American Banking Dynasty and the Rise of Modern Finance provides a history of Wall Street. I am grateful for Mr. Chernow’s contribution to my understanding of that world that is at the time of this writing so far away and yet having such a huge impact on both the USA and the rest of the world, especially at a time when J.P. Morgan associated banks are paying out more than 30 billion dollars for activities that many are calling criminal.

Review of Kvachi

I first became aware of the the novel Kvachi by Mikheil Javakhishvili after reading this great review by The Millions writer Matt Seidel. As I’ve lately taken to reading picaresque tales and I’ve always had a general interest in books that are banned – for twenty years Soviet authorities prevented it’s publication – I was excited to read this newly translated into English work. I started it with delighted anticipation which grew into bemusement and, as the novel continued, ended with general disappointment. This wasn’t necessarily a failing on the part of the author or the translator but, I believe, due to the nature of the eponymous character of the novel. What do I mean? Read on, but beware of spoilers…

According to the provincial folk wisdom of palm reader Madame Notio, the bad weather during and after the time of Kvachi’s birth and the manner in which he holds things indicated that all of his enemies will be defeated and that he will accomplish personal greatness. As the reader soon sees, however, the character of his enemies and the nature of his abilities don’t make him into a hero crusading in the name of some ideal or even an anti-hero resisting the crushing social mores and habitudes around him. Kvachi is, instead, more a villain that seeks to continuously enrich himself or gain status at the expense of others with little to no thought of the consequences.

Kvachi’s rags to riches to rags to less riches than before story is largely a manner of how he is able to swindle people out of their money or evade police and military officials searching for him. Whether it is obtaining property titles through elaborate ruses, pimping his discarded lovers, stock-market manipulation, exploiting nepotistic government networks or murder – Kvachi cares not. All is fair game, unsurprising to the astute reader that can read the foreshadowing in his first words: “Me, me.” If limited to his small town he would be forced to sublimate some of those grandiose qualities into something more socially useful, a la Edward Limonov’s character Eddie turning to poetry in Memoir of a Russian Punk, however Kvachi has grand ambition. Kvachi manipulate news presses through money and intimidation by his friends/henchmen to help establish the notion of him as the Pierpont Morgan of Georgia. He has people pay to consult him on various matters and uses the knowledge whenever he can to benefit himself and his gang. However he and they leave Georgia and establish themselves in St. Petersburg after they’ve won the heart and mind of Rasputin.

ras_1866302bThe long section of the novel wherein Kvachi comes to meet, befriend and manipulate Rasputin is, as a non-Orthodox person, fascinating to read. While Rasputin’s role in the actual administration of the final days of the Russian monarchy is largely overwrought and mythical rather than historical, his character in the book gives a portrait with verisimilitude to what transpired. Once in the Tsar’s circle Kvachi takes on the role as the defender of the throne. Once he sees that the Bolsheviks will come to power, however, he then assassinated Rasputin and becomes a leading figure in the October revolution. Unsurprisingly once this force oriented to the people’s will rather than that of the divine comes into power, Kvachi finds his days numbered. There are simply too many people that have been harmed by him and are aware of his schemes for the new government not to notice. He stays in order to gain as much gold as possible for transport out of the country and then starts a series of misadventures across the upper social circles of Europe.

It is in these scenes amongst the upper echelons of “polite society” that the novel shines. Rather than Kvachi exploiting the trusting and ignorant near-poor folk he steals from those that have been born into aristocratic families. Here Javakhichvii satirizes the manners, customs, and attitudes of the people that have gotten there by no other dint than the luck of their birth into it to great effect. They are shown here to be indolent, non-productive back-biters ever willing to exploit others any way they can. It’s these dynamics that complicates Kvachi. While it’s possible to be indignant at him for his crimes against the smaller people and the government, his scamming of these people is shocking but, also somehow fair. Going from county to country, he burns all the bridges in a place then moves on. He has no allegiances except to that of money, a goal which is never sated, and to his comrades.

That the major secondary characters in the novel never receive much character development isn’t surprising. For the author, and just as it is for Kvachi – it’s all about Kvachi’s desires and money and everything else is secondary. This is, for this reader, unfortunate as the lack of real character development outside of retrenchment in the face of adversity is in large part a similar reason that I found Wolf Of Wall Street to be disappointing. Lacking an “Aha!” moment wherein the protagonist comes to realize that their immoral behavior has harmed people and from that realization obtains a greater sense of social responsibility means that Kvachi is merely the account of a sociopath motivated by greed and ambition. Even when depicting his one truly heroic act, leading a nearly defeated band of Russian troops to capture Turkish forces, he is depicted as possessed and not of his right mind.

Considering all of the above I can understand, though not agree with, the Soviet censorship of the novel. In a similar way that Anita Bryant decried the sexual denigration of women and cultural values of urban gangs, one could see in Javakhishvili’s writings 80 years prior and halfway around the world similar views towards women and the lionization of criminal enterprises. I wouldn’t go so far as to say that Kvachi is an early 20th century gangster, but his hustling abilities is what allows him to live a privileged life despite his being born into a poor, provincial family. Considering that his likelihood of upward mobility is so low if he were to play by the rules of the law and polite society and that so many of the people that Kvachi encounters are playing this game or a variation of it as well, it becomes harder to judge Kvachi as a villain pure and simple. In the end, he is just someone who cares only about himself – which is in itself a dangerous concept for a newly formed collectivist government.

Review of Zalacain the Adventurer

I first came across Pío Baroja y Nessi in connection with Ernest Hemmingway. A famous anecdote states that while on his deathbed Ernest visited him to state that he should have won the Pulitzer Prize for literature. Baroja’s response to him was to the effect of, “Claro, tonto.” After reading online reviews I decided to pick up Zalacain the Adventurer, the short, picaresque novel of Martin Zalacain’s exploits leading to and during the period of the Carlist Wars in Spain.

In the tradition of The Adventures of Gil Blas of Santillane, Baroja introduces us to a anti-hero that through his wit, daring, and ability to address people at the proper social register is able to make a fortune while having a number of exciting episodes. While I don’t have as much knowledge of the period as the translator James Diendl has, from my having spent some time in the northern region of Spain (Catalunya) and reading about the political turmoil there in the 1930’s I would concur that Zalacain does seem to typify the “Basque character”. He is poor, living in penury at the beginning of the novel until his grandfather take him under his wing, but proud, is energetic, individualistic, has a resilient character in the face of obstacles to his wishes and is able to “pass” as a number of different identities because of his awareness of the social milieu. Diendl states that this characterization stems from Nietzsche’s influence and once again I trust him as it is clear within the text.

The reader is first introduced to Martin during his formative years in the small town of Urbia. Martin foregoes a traditional education and instead learns about the nature and the land around him. He is able to set and later inherits various gardens that allow him to forego entering into the market economy, but later decides that he will do so in part in order to win the affection of a girl in the town named Catherine. While not fully giving up the vagabonding life that Tellagorri, his grandfather, schooled him in he decides to get into trading. This is an especially lucrative business given the region is an intermediary zone between Castilian-Spain and France. The relative peace that he has, when not avoiding border agents and tax collectors, is shattered however with the crisis over who is to be the proper regent of Spain. The details of the Carlist Wars are complicated. As it relates to Zalacain, the conflict leads to many developments that upsets the lassitude of this otherwise sleepy, sheltered town.

The war makes the business of smuggling goods more dangerous and thus more profitable. As representative of various armed factions come calling for people to join them, this also leads to heightened tension between the various classes and the church. One highlighted conflict is between Charles Ohando, the fey-aristocratic brother of Martin’s love interest Catherine, and Zalacain. Three generations back, the great-grandparents of these men fought each other in the first Carlist war and Martin’s great grandfather was killed in the exchange. Thus while bad blood is the norm, during the period of peace Zalacain is able to come out on top and even avoid one of the traps Charles sets.

As might be expected by his being on the periphery of the exchange economy, Martin doesn’t really care about who wins and sees the exercise not based upon any grand sentiment other then disguised greed for power. When faced with antagonists to the Pretender, he and his friends fool the troops as to their political sympathies. This causes him to be briefly pressed into service, a fate far preferable to death.

From here a cat and mouse game ensues between those he’s escaped. Following his freeing he learns of his loves deliverance to a nunnery on the order of her older brother. Before leaving to search for her, however, he gets contracted by a merchant to get requisition documents delivered to a Pretender general. This while searching for Catherine, he must now also deliver these documents and obtain signatures without being recognized as a deserter or of being suspected as sympathetic and in collusion with the other side. I won’t provide any more plot points that might spoil it for the person that hasn’t read it other than to say that a number of funny and tense scenes entail that highlight the hatred that exists between the numerous regions of Spain and the conniving powers of Zalacain.

Interspersed throughout the travel narrative are jokes and songs and poem fragments. In the taverns I found some of the characters described to be quite funny and the dialogue to be especially compelling. Here is an example of one that exemplifies Zalacain’s realpolitik worldview:
“You shouldn’t talk, Capistun, because you’re a trader.”
“So what?”
So you and I steal with our account books. Between stealing on the road and stealing with an account-book, I prefer those that steal on the road.”
“If business were there, there wouldn’t be any society.” Gason replied.
“So?” Martin said.
“So there wouldn’t be any cities.”
“As I see it cities are made by the wretched and are used as objects to be sacked by strong men,” said Martin, violently.
“That is being an enemy of humanity”
Martin shrugged his shoulders.

The novel is short, I read it in two sitting, but I found it to be a quite enjoyable tale of a Basque individualist dealing with tragic/humorous situations. I’m not quite sure from this particular work that Baroja was correct in asserting that he should win the Pulitzer Prize for Literature, but having read this I’m definitely interested in reading more of Baroja’s work.

Review of A Wizard of Earthsea

I’d first read Ursula K. LeGuin’s book The Dispossessed several years ago. Though I loved the book, I’d departed from my normal habit – once I’d find an author I like I read all their books – as I’ve never wholly resonated with fantasy literature. Despite my reservations and with some encouragement, I decided to read A Wizard of Earthsea.

The novella is in its essence a variant of the hero’s tale as described by Joseph Campbell as well as a journey story. Le Guin, however, expands upon Campbell’s model by making ingenuity and erudition as components of a heroes’ development. I resonate with this as despite its fantastical setting these are indeed the components required for modern heroes. Super strength, agility and other such brute qualities may make up the majority of the “hero” tales of Hollywood cinema, but such an emphasis in cultural production ignores the greater life conditions win by hard and social scientists.

The plot itself is rather simple. A “special” young boy, who earns the nickname Sparrowhawk, attracts the attention of an older, wiser magician following his use of a simple spell to save his village from invaders. He goes off for training due to a number of “innate qualities” that only the older magician is able to see and despite that latter’s reservations (Star Wars?). After a major accident that disfigures him and kills another, he adopts a new humility and gains a new sense of responsibility (Spiderman?).

This simple distillation of plot, however, ignores the imaginative descriptions of the various places and peoples that live on the archipelago of the Earthsea. Part of my aversion to fantasy in general was the supernatural elements – as I prefer social realism and science fiction – however the magical framework that Le Guin describes has an aura of basic plausibility to it that makes it easy to suspend my normally incredulous disbelief in the bizarre and paranormal.

One of the components that I enjoyed of the book was the good use of foreshadowing. Long before the main confrontation I’d figured out the symbolic meaning behind the evil that Ged had unleashed. Even prior to that specific incident there are many moments where the narrator make a brief assessment of Ged’s potentially problematic characteristics. Once the significance is revealed the prior instances of struggle – between Ged and a dragon, between Ged and another magician under the influence of a devious Old Power – take on more clearly moralistic characteristics that echo other instances of temptation.

I’d read in several reviews of Le Guin’s work that her dragons represent a meaningful divergence and complication of their normal depiction in literature. As I only read one brief exchange between man and dragon here and as I deeply enjoyed the story, the setting and the characters I am now interested in reading the rest of the saga.

Review of Billy Bathgate

E. L. Doctorow’s novel Billy Bathgate is a first person point of view account of a 15 year-old Bronx boy who has been raised by his mother as his father abandoned him. Set in the 1930s, Billy is distinguished from his peers by his cleverness and daring. While juggling one day, a metaphor for his dexterity and speed both physically and mentally, he comes to the attention of the most notorious local gangsters, Mr. Schultz, who is known colloquially as The Dutchman. Billy’s receipt of ten dollars for his skills starts him on a path away from his childhood friends into that gang soon even becomes Mr. Schultz’s protégé. Billy’s fondness for the criminal syndicate that he soon enters is clearly linked to his upbringing in grinding poverty, his lack of father and feelings of distinction from those in his neighborhood.

One of the things that I enjoyed about the book was the manner in which the narrator, Billy, is able to express a complexity of thought that is unlikely for him to have without it seeming unrealistic. It makes for more compelling introspective monologues and makes the other characters increasing reliance upon a child seem more believable. While this is part of his carriage as a character – someone smarter and more able than other – he is not some untouchable character on a wholly upward ascent. It is there, in those moments when Billy’s ego is hurt that allows him access to the greatest insight. He sees what’s going on as an outsider, a child not yet fully involved in the decision making apparatus that he’s attached himself, yet also as an insider for he has greater access to what’s going on than most. This tension is both a sort of anxiety for him and, in the end, a source of security.

If I were to give the book a feminist reading I’d say that the relationships that Billy and the other male characters have with women all fit into the category of plain objectification. But I would also qualify this as endemic to the time and complicated by a variety of circumstances. For instance Drew, the lover of Bo, Mr. Schultz and later Billy, presents a complicated case requiring more depth of analysis. While she does seem to be the typical rich party girl in the mix with the wrong crowd, she is also able to exercise a large degree of autonomy and prescience over her situation. Thus she knows that at times she is in danger, she still continues to stay amongst them out of an affected, privileged boredom until her position there is no longer tenable. Billy’s mother, in contrast, suffers from some mental derangement, is largely absent once he begins this new life and then is someone that needs to be taken care of rather than is able to take care of Billy. The brief “love” between an adolescent prostitute and Billy also bolsters this notion of women as objects but also is complicated enough so as to blur any clear classification.

One of the more interesting aspects of the novel to me is that as I’ve just finished writing my novel’s first part on Jesse, I see so many overlapping plot elements within our two works. Now there’s a number of major differences and the stylistic elements between my and Doctorow’s work is great – but I’m still amused by this. I think in a way it has to do with something that is propounded by Otto Berman in the book. When he is speaking with Billy he tells him how all the number in the books that he has with information related to Dutch Schultz’s various illegal doings could be thrown up into the air and then come back down on the page and tell a whole other story. I’m dealing with many of the same variables so there’s really only a limited number of ways that the interactions can come together. Additionally, that this story can be considered literature while having many of the same elements that I have in mine, though admittedly not in as graphic detail as I use, gives me premature hope against imagined future detractors.

Reading by Roxane Gay

Today I went to see Roxanne Gay read several selections from her books Bad Feminist and An Untamed State at Florida Atlantic University. I enjoyed the readings from the novel very much and intend at some time in the near future to buy and read An Untamed State. The readings from Bad Feminist were compelling and yet light-hearted, playfully witty and yet with an implied gravitas.

I was most amused by her cavalier attitude towards the questions that followed her reading. The MFA students all asked about her writing process, which she was quick to answer dismissively. Another asked about her relation to Haiti, where her parents are from. I was simultaneously pleased and disappointed with her identification as a privileged person unable to speak about the realities there. True she can’t authentically speak as an envoy of some sort as it relates to the conditions of the major underclass there as her family are part of the elite, but this does not mean that she is unable to speak about such realities. Physical location of birth, a point which Gay referred to thrice in her identification as “Haitian-American”, and class do not themselves prevent people from speaking about others realities – otherwise there would be exceptionally prohibitive limits on various academic disciplines such as History, Political Science, Art, etc. They are, however, qualifiers that contextualize the discourse about speech acts made about the region/time.

With this in mind I think it would have been interested to discuss with Roxane about how it is that her novel An Untamed State came into being as Mireile, the novel’s protagonist, seems to be almost a stand in for her own fears from having visited the country repeatedly and being unable to hide from herself that her family was part of the ruling elite. From her reading and my subsequent perusal of articles detailing the plot of the novel, this makes the depiction of Haitians as a people of extreme violence take on an interesting valence. She is telling a story, yes, but perhaps projecting her own fears of location. Perhaps this is why she does not make the effort to learn about events there, it is “that which shall not be named”. At the time, however, I didn’t ask this. Instead I followed up on her comment that she liked the Ying Yang Twins by asking what other rap artists she liked – especially fitting as I was wearing my Run The Trap hat due to the frigid air outside. She said that she liked Common, Lil John and Usher and then proceeded to make multiple humorous comments about the narrative implausibility of Usher’s song “I Don’t Mind”.

Winner Winner Chicken Dinner!

Yesterday I entered a competition held by Verso Books to differentiate between quotes by G. W. F. Hegel and L. Ron Hubbard. The prize was a copy of my former professor Slavoj Žižek’s new book Absolute Recoil: Towards A New Foundation Of Dialectical Materialism. I am quite happy to say that not only did I get a 10/10 on the quiz but I was also chosen to win and thus will be getting the book for free. Needless to say, I’m very excited to read this!

Review of Daring Greatly: How the Courage to be Vulnerable Transforms the Way We Live, Love, Parent, and Lead

Being vulnerable in our personal lives is difficult for many people. Behaving from a place of openness can give us a feeling of emotional exposure, uncertainty and even risk involved in speaking up. As expression of one’s thoughts, fears and desires openly and honestly with a partner, a child or a co-worker can lead to feeling judged many people quell their concerns and simply hope for the best. However unless we have these Crucial Conversations than our romantic lives are not as fulfilling, our familial dynamic can be thrown into imbalances and the business and civic organizations we are a part of can lose their dynamism and decay. In order to illustrate the importance of embracing vulnerability Dr. Brene Brown in her book Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead shows how it is that vulnerability and shame emerges and operates within our current social topography and how to combat it. After all, allowing this influence to continue to operate unopposed means that we live a life with a dearth of mutual connection, trust and engagement with others. Wholeheartedness, the willingness to act from a place that is open, present and vulnerable, gives us the opportunity to genuinely be embedded in our world, for good or bad.

Dr. Brown’s research first distinguishes between shame and guilt and their relation to vulnerability. Shame is connected to being language (I am a screw-up, I am a liar, I am not worthy) while guilt is related to action language (I have made mistakes, I have lied, I made mistakes). While it may seem a trivial manner of categorizing, the adoption of such logics by the psyche has wide-reaching implications that neuro-psychologists give significant credence to. On a more practical level, use of the former prevents personal self-transformation while the latter is the means by which we can gain control over our personal narrative. This is why if one’s self-talk denigrates and self-destructs an effort must be made to acculturate oneself to a different understanding of themselves and thus their value.

Dr. Brown then shows that vulnerability is not weakness, but a form of courage. It indicates a full engagement with the matter at hand rather than ironic, traumatic or ideological detachment. This can be daunting to embody given the shame-prone culture within which many people live, and further requires that one feel genuinely loveable and worthy of good things, however to not do so is to have our happiness forever dampened due to our unwillingness to engage.

Another point that Dr. Brown pulls from her research is how people often feel ashamed due to hypothesized external judgments that can empty otherwise genuine joy. For example, despite the fact that extensive social science research shows that people are most satisfied with purchases of experiences such as vacations or nights out, due to the social nature of reality people can become fooled into the idea that by spending money on status goods they will be happy. Once comparison compulsion rather than personal values or the words of other people rather than your own principles have control over your emotional life you are immediately enfeebled because of it. Ideas that limit our capacity for wholeheartedness include not only comparisons to other people, but also nostalgia for the past and the general feeling of unworthiness caused by essentialism. People in our lives that tell us we are not good enough, perfect enough, smart enough, “anything” enough as well as saying things such as we’re too unmotivated, not worthy of love, crazy, etc. perform the same function. By limiting these thoughts occurrence and our interaction with those people that claim our being as something we don’t want we are able to gain more freedom for ourselves to be vulnerable and thus happy.

One of the research conclusions that Dr. Brown’s makes that I resonated with is how: “When we pretend that we can avoid vulnerability we engage in behaviors that are often inconsistent with who we want to be. Experiencing vulnerability isn’t a choice – the only choice we have is how we’re going to respond when we are confronted with uncertainty, risk and emotional exposure.” (45). While I think the broad implications are clear, bear with me as I pull them out. People crave the feeling of vulnerability as it allows the armoring that we have produced from numerous interactions to be reduced or even disappear. However it is possible that as a result of a previous painful incident, be it work, familial or romantic relationship, we may seek for the sake of our “future self” to be protected from such violations by repressing that softer side of ourselves. Thus when we act in a manner that seeks to deny our vulnerability, we are actually acting counter to what we really wish for. I’ve seen this most often when people have a romantic relationship has ended and they describe themselves as feeling emotionally dead or drained. Their vulnerability, their hopes, their desires are all seemingly dashed and the idea of starting over again seems like a fool’s errand. If we are to be truly happy, at least according to Dr. Brown’s research, than this is exactly what we must do.

Another point that I really enjoyed about Dr. Brown’s book is the need for discomfort at times. People generally, especially those in leadership positions that want to see their employees apply critical thinking, need to normalize the awkwardness that allows for honest exchange. In the crucial conversations that we have with those around us we must expect and be OK with handling anxiety, fear and shame. Allowing their occasional appearance should become normal and the fewer the “forbidden topics” there are is an indication of organizational/relationship strength. Vulnerability is at the heart of the feedback process and it is through this process that growth develops. Lacking it we are armed from the past and stunted, unable to move forward and instead of living life to the lees it’s as if we’re always about to leave. And being caught in such a flight pattern means that we are living with distress and fear.

Review of "The Five Love Languages"

Five Love Languages in a nutshell
Five Love Languages in a nutshell

The general content of Gary Chapman’s book The 5 Love Languages: The Secret to Love That Lasts is easily summarized. Words of Affirmation, Quality Time, Receiving Gifts, Acts of Service and Physical Touch are the five ways that people are able to perceive the love of their partner. The presence or absence of these acts within the love relationship will determine whether the emotions evoked from the daily exchanges are good or bad. A repeated metaphor that Chapman uses is that of the gasoline tank. Having a full tank means that one is filled from one’s partner expressing love in the manner that they expressed they preferred to their partner while a low tank means there is no expression of love whatsoever or they are expressing it in a manner that is not aligned with their partners wishes. This is a very important distinction not only as it determines the quality of the love relationship, but the entire perspective of each party involved. Writing on the wider effects of this love tank, Chapman writes on page 37:

“When your spouse’s emotional love tank is full and he feels secure in your love, the whole world looks bright and your spouse will move out to reach his highest potential in life. But when the love tank is empty and he feels used but not loved, the whole world looks dark and he will likely never reach his potential for good in the world.”

As such a powerful determinant of our perception of reality, Chapman strongly encourages his readers to become more fluent in their understanding of their own desires and the desires of their partner so as to increase their capacity for and ease in obtaining peace of mind and happiness. If psychologist William James is correct is stating that the deepest human need is that for appreciation – these are the means of expressing that appreciation.

In order to better do this Chapman distinguishes between being “in love”, which he says is more aptly classified as limerence, and loving someone. The feeling of being “in love” is a more or less temporary madness that other research has likened to a period of intense intoxication due to the mind-body’s ready release of various pleasurable neurotransmitters. Being “in love” is a dangerous state of being as it is one of almost total fixation that will cause someone to pay no heed to work, school other aspects of life. Research tell us that this feeling, however, lasts at most a mere two years and it is only with the practice of these interpersonal exchanges that it can grow to a love that it more mature and rewarding as it is predicated on choice.

Chapman’s valorization of choice moves beyond this into his description of the first love language, Words of Affirmation. This is not just to give encouragement, but to also bring attention to the manner in which we comprehend the relationship and share that understanding with our partner. For instance, by bringing in the option of choice in exchanges, ie. “Could you please..?” instead of demands “I want you to…” a sense of autonomy is emphasized that allows for agency to develop. He further emphasizes the power of words as it relates to the role of forgiveness. He states that we can either chose to be Judges, and thus gradually disrupt and destroy the relationship, or Forgivers. Once Judgment is kept a permanent distance is created. Emphasizing the power of it’s opposite he states: “The best thing we can do with the failures of the past is to let them be history… Forgiveness is not a feeling; it is a commitment. It is a choice to show mercy, not to hold the offense up against the offender. Forgiveness is an expression of love” (47).

Chapman is clear that there is often more than one love language present spoken by our partner and that we must be open to listening to what it is that they say they want rather than expressing to them what it is that we want or what it is that we have learned that we are supposed to do based upon our familiar upbringing or cultural messages. Failing to be aware of them is, in essence, to fail the relationship as true love liberates and lacking such a mutually beneficial dynamic then it does not meet this standard.

Throughout the book, Chapman provides anecdotes based upon his counseling practice on how people’s increased ability to read their partner’s needs for Words of Affirmation, Quality Time, Receiving Gifts, Acts of Service and Physical Touch and giving it to them radically changed their relationship. The application of them, as the stories included by Chapman shows, is not always easy as a partner may be running on an empty tank and thus slow to register improvement – but over a long enough period the committed person is always able to accomplish their goal. Minor changes in inter-personal exchange can result in major changes for both the individuals and the relationship. There are plenty of short thought experiments in the form of questions directed at the reader to help them realize how it is to better obtain this knowledge about one’s relationship and they are in a format that does not break up the pacing of the book. For these and many other reasons I can foresee myself heartily recommending this book in my private practice to couples in search of counseling.