Edinburg

Josselyn and I arrived into Edinburg late Friday night. During all of our previous explorations that the two of us have gone out, I’d been in charge of knowing where we were going and how to get there as due to the extensive time I’ve spent navigating strange cities as well as my old home of New York I’ve gained a internal compass, a strong sense of direction and a keen location memory. This trip however, Josselyn was determined to prove herself equally capable and prior to our departure from Barcelona researched the directions to the hotels we would be staying at and writing down the addresses of those we wanted to visit afterwards so she could get GPS directions as need be. After checking in we were hungry and wandered nearby to get some food. The streets were mostly empty except for the people making their way out of the closing bars and all the restaurants we walked past were closed except for a late night kebab and fried fish shop with walls plastered with club promotions for New Years parties and concert venue announcements. I ordered the typical British dish of fish minus the chips, add lettuce and a tomato topped with a garlic sauce on a bun, making it a delicious sandwich, and Josselyn ordered a veggie burger. We ate this inside while drunk-people of varying ages, speech capabilities and levels of aggression came in and out to get food and pass the time by harassing the workers for speaking English with an immigrants intonation and grammar.

The next day we woke up early to go on a tour of the midlands with Hairy Coo tours. We met at Deacon Brodie’s Tavern, named after the infamous historical person for whom Robert Louis Stevenson found the inspiration to write Dr. Jeckyll and Mr. Hyde, and from there were given a fantastic tour by Donald. The already beautiful scenery and human constructions was made richer by his knowledge of Scottish social and geographic history. His self-effacing humor was even able to turn the most grave and tragic of historical stories into lighthearted moments. We first stopped first at the largest metal bridge, made to showcase the financial power of the burgeoning Scottish bourgeoisie. Following this we went to several others stops, including one of Scotland’s William Wallace monument. Here Donald went into the historical details about the real William Wallace, who was the son of a wealthy lowland aristocrat and not a dirty highland nobody as depicted in Braveheart.

Following this we stopped by two castles, one of which that was used in the Monty Python film “The Holy Grail”. Outside of the connection to the film, the castle had nothing particularly special about it, though Josselyn and I did have fun while walking around the castle and banging together a pair of coconuts. The most beautiful part of the tour for me was the various Trossachs lochs that we stopped by and drove past. One particular loch is famous for being the setting of Sir Walter Scott’s poem The Lady of the Lake and it is understandable why this is so – it’s breathtakingly gorgeous. This particular region is widely associated with the faerie folk and has connected to it the story of a priest who apparently started to learn and talk too much about them and so was spirited away by them. While the story is false, it is true that this region is unlike anything that I’ve seen in Western Europe before. Donald explained that the reason for Scotland’s geographical peculiarity stems from that fact that it was once a separate volcanic island with a geological history vastly different from that of England so as they collided with each other it formed a large number of distinct attributes.

As Donald spoke about Scottish tourism and its relation to the Romantic literary movement in Britain he explained that it was originally conceived of as a pleasure formulated to counterbalance the anxiety ridden daily life during the nascent days of industrial in England. Anyone familiar with William Blake’s famous descriptions of black churches or any of the Romantic writers of the late 18th century who were a witness to these changes in the capital intensity of manufacturing can understand why visiting an area of nature untouched by capitalism would be appealing. As someone that has extensively read the British Romantics, and indeed was named after Percy Bysshe Shelley, I was thrilled to be here. Though there is clear evidence that market considerations and operations are existent in the countryside, the wilderness still appears to be mostly left to the developments of nature and in the villages most of the businesses are locally owned, operated and seem only concerned with continuing to exist as they are. During a break at one of these little towns, Josselyn and I had lunch at a restaurant wholly stocked by locally grown produce and fishers. Josselyn’s squid was delicious and the halibut that I had was by far the best I’d ever eaten. Our last stop was to see a hairy coo, which means hairy cow in American or British English. The cow-like animals that were once a sign of wealth in the region in the same way camels still are in parts of Egypt. As we drove back, Donald recounted several humorous stories about his life and played music by The Pretenders.

After we got back to the city we walked aimlessly for a bit. Josselyn and I were both hungry and when we get like this we have trouble making decisions on what to do. We eventually decided to get something to nosh on at “The Last Drop” pub, so named for it’s being next to the former site of the Grassmarket gallows, before going on a ghost tour. Tradition and storytelling ghost tours define the old city of Edinburg in a way that I’ve not seen in other places. Guided narratives which recount place-location history is typical, but in Edinburg I noticed that more so than in any other place I’ve been many companies rely less upon important historical occurrences than upon old stories of for-profit killing (Burke and Hare), the unusual (Deacon Brody), revenge or the grotesque (Half-Hanged Maggie) to provide anecdotes for those wishing to get insight into where they are visiting. This is not to say that there are not those tours available, but a brief walk down Royal Mile and you’ll see the posters for several different guided ghost tours. One of the reasons for this stems from the amount of medieval and mid-gothic architecture that compose the old city and the proximity of protected cemeteries which give it a spooky vibe. After having visited Edinburg and Porto, Portugal I understand why J. K. Rowling describes Hogwarts and the magical world architecture of Harry Potter as she does. The city does get very creepy at night and a wrong turn can literally take you from a semi-modern street to something that feels is in the 16th century. Regardless, after this rather uninspired twenty-minute “tour”, we walked around the downtown area for a bit, popping in and out of places like the Three Graces and The Hive before returning to the hotel.

In the morning we woke early to make sure that we were able to connect with yet another Sandeman’s walking tour. We got breakfast in a café within sight of the meeting point and met an American from California who, like myself, had recently completed their Masters degree and was now working abroad with their significant other.

We went a graveyard where Scottish patriots were tortured to death. The site, called the Poltergeist, is supposed to be one of the most documented haunting sites ever and is interesting to unbelievers like myself as it shows the horrible cruelties inflicted upon patriots and thinkers ahead of their time.

Visible from inside the graveyard is the school which is supposed to have inspired the description of Hogwarts as well as several dead people whose name is the same or very similar to those found in Harry Potter. I mention Harry Potter because, of course, this is the city that Rowling wrote some of her first books. Following the cemetery we passed the café wherein she wrote her first book and at the close of the tour the guide presented us with a history of Scottish nationalism in relation to the rock upon which early kings were crowned.

After the tour we walked into the National Gallery. It was small, but free and had several good paintings and comfortable seating so we could rest for a bit before going on the last tour of the day. In fact it was here that I’ve seen one of the few 19th century portraits of an attractive aristocratic young woman. Seeing it immediately made me recall how the Vikings used to take most attractive women they found on raids as war brides and how in Scottish writer Irvine Welsh’s novel Trainspotting, Sick Boy says that the only attractive women in Scotland are tourists. I realize that this sounds weird as I write this – but it made sense at the time. We continued to look around the museum for a while then went to the Canonsgate Kirkyard as I wanted to see the grave of Adam Smith. It was a good idea, however due night falling in Edinburg around 4pm here we weren’t able to find it. We looked around for quite a while then went back to the area around the statue of Adam Smith on Royal Mile to get food before going on a Underground and Ghost Story tour with Mercat Tours.

Our guide took us around to various parts of the city around Royal Mile telling us of the various crimes, punishments and strange happenings that occurred in the place we were standing on at that moment. In narratives that reminded me very much of the opening of Foucault’s “Crime and Punishment” and several of the scenes in Peter Linebaugh’s “The London Hanged”, our guide detailed what would happen to the body of the condemned following the courts verdict of guilt. The storytelling was  engaging and we ended our tour up by entering an old underground cellar and work area that was abandoned with the development of the new city and is of course now “possessed” by various ghosts. I don’t believe in ghosts, but as Josselyn does she was rather frightened. Knowing this I furtively threw a small rock in the room our guide claimed was possessed by a little boy. This evoked a scream from her and a series of apologies after she realized that she was the only person scared by the sound. Following this we went to a live Rhythm and Blues bar to watch a live performance and then to a Latin club to go dancing.

Despite the long night we had we woke up early the next day to visit several places that had we’d chosen beforehand. We got on the bus early in order to go to Gilmerton, a small town about 35 minutes from Edinburg. Josselyn found a cove there that was supposedly a must view when in Edinburg, however the doors were locked when we got there. We waited a few minutes and knocked heartily, but no one came. After this we went back to the city and started walking our way up to the Castle.

We went into the Writer’s Museum, which had special displays for Burns, Robert Louis Stevenson and Sir Walter Raleigh. While I find the development of literature and the historical novel to be interesting – hence my appreciation of Lukacs – and the scandalous and peculiar lives of creatives to be intriguing – hence my love of Henry Miller – the actual desiderata of their daily lives makes for poor presentation in a museum as in such a setting they appear so dull and ordinary. While there was pipes which originally belonged to the authors, locks of hair, pens, and other trinkets the more interesting aspects about their personal lives cannot be sufficiently displayed as writers be definition achieve their fame by making something intended for reading and a place wherein books are available to study about a person in depth is not a museum but a library.

After snacking we took a bus a little outside the Old Town in order to hike up Arthur’s Seat, a volcanic rock formation adjacent to the Queen’s Palace at the end of Royal Mile. There was no seat on top and the site has nothing to do with King Arthur, however there was a beautiful view of Edinburg well worth the effort it takes to climb up. After this we viewed the Queen’s Palace and then returned to the hotel to pick up our stuff and catch our flight to Stockholm.

Plugs for former Profs!

Maia Ramnath, my former professor, NYU thesis advisor and author of Haj to Utopia: How the Ghadar Movement Charted Global Radicalism and Attempted to Overthrow the British Empire has recently had her second book Decolonizing Anarchism: An Antiauthoritarian History of India’s Liberation Struggle (Anarchist Interventions) published by AK Press. I wish I could say more, but I won’t be reviewing books until I’m back in the United States.

Another former professor of mine that has his book going through the academic reading circuit to generate publication buzz for it right now is Slavoj Žižek’s
Less Than Nothing: Hegel and the Shadow of Dialectical Materialism. A friend of mine that has already read it and is also a Hegelian scholar has reviewed it positively. Though it is not on sale right now, you can pre-order from Amazon for a significant discount.

Porto

The road from Sintra to Porto was completely clear being that it was Christmas Day. The toll lanes, however, still functioned. Not realizing it at the time, I drove through one of the toll lanes designed for people with speed passes and didn’t pick up a ticket. This didn’t bother me so much until an hour and a half later when I stopped at one of the toll points and was asked to deposit said ticket into the machine. As I had none and only a five Euro bill in my pocket the cars started piling up behind me. All possibilities of escaping not just the fine but being able to continue driving seemed impossible. Surly, if I was pulled over, the Civil Guard would see how terribly I started the car into first gear and would follow me until I made some sort of other gaff that would then cause him to pull me over and prevent me from getting to my destination. As all sorts of contingencies ran through my head as I was unable to think of what to do next the intercom came on. In English I explained that I had lost the ticket. Responding in kind, he told me that I had to pay 60 Euros, the cost of driving the whole of the toll road up to that point, but that as they only accepted cash he would print me out a bill that I could pay in a few days. With this printed out he opened the gate, and let me go.

I thought this escape to be a positive portend for things to come but after arriving in we found our hotel closed. The lights were on but no one was home. We knocked. We called on the intercom. We called on the phone. Both rang endlessly. And after a half an hour of this we finally decided to drive around and find someplace else to stay. Nearly immediately we found a hotel right next to the main square that was open. As, we decided to take care of our hunger pains with some Indian food – one of the few restaurants that were open and something that I’d wanted to try since getting into Portugal given their colonial linkages. It was good, however it was little different from the northern Indian cuisine that I’ve had at dozens of other restaurants.

My alarm woke me up at 7 a.m. so I could find the free parking spot the hotel receptionist had gave me directions to. She said that it was only four blocks away. I passed by the x she’d market on the hand made street map and saw the number on the building but there was no lot there. After an hour of driving around and not being able to find it I reluctantly settled on an underground lot by a mall. I walked back to the hotel and slept some more. Around 9 a.m. we woke, had the hotel’s free continental breakfast and started out on our day to walk around the sights of Porto.

Because my foot was still in pain from my sprain, we decided to get tickets for one of the hop on hop off bus tours. As so many tourism websites state with more florid verbiage, Porto is beautiful. The gothic churches which abound with blue and while tiles are gorgeous. The old schools and homes of the rich give it an imposing air deflated by the massive amounts of unoccupied buildings and homes. Next to grand edifices are dilapidated houses claimed by stray animals and wayward substance abusers. We stopped at many places, such as the statue in honor of those who died defeating Napoleon’s army, a cultural center bankrolled by British merchants with regional investments and went into many unique places, such as the bookstore once frequented by J. K. Rowling. There are many beautiful statues and fountains in Porto worthy of note, but they almost seem to slip into the background as even the storefronts and apartments above them have a distinct old-world charm.

While attempting to check in for our flights at the hotel we discovered that there were no tickets for our return trip. As we were having such a pleasant time in Porto, we decided to stay an extra day. This meant, however, that I had to return the car back immediately rather than on the way to the airport. Now my ability to drive stick goes as far as that I can do it. I can’t do it very well, and I can’t do it very calmly. This is because ten years ago, over the course of a half an hour, my friend Aaron taught how to drive stick and since then this skill has lain dormant. This lack of practice combined with no area or language knowledge made driving for me a very anxiety inducing experience. How Josselyn was able to find the grace to deal with me like this I don’t know, but I am very appreciative for it and her help in getting us to where the car needed to be returned. After dropping off the car, we walked to the ocean. It was perhaps a mile and a half walk but it was such a wonderful day. Josselyn and I sang and talked on the way over.

We stayed there a bit then took the bus back to the main part of town. One there, we took a boat tour up the Douro River and down to the mouth that leads out into the Atlantic. We passed by many boats that one loaded Port wine onto larger ships for delivery to the New World and now take tourists out.  It was gorgeous and pleasantly brief.

In order to catch the last Cortez port tastings we went down the Teleferico. Compared to the one in Medellin it is very short, but having the carriage for just the two of us was romantic. The Cortez tasting had just closed when we got there, but luckily for us there was another one open nearby. There we had several glasses of Port as well as an appetizer of cheese, chorizo, olives and tostadas. Because this wasn’t very filling, we walked out towards the river looking for a place to eat. Facing the water was Sandeman’s restaurant, which has no connection whatsoever to the tour guide promotions company. We walked in and had delicious food and amazing sangria without a huge price. Now slightly tipsy, Josselyn and I chased each other around, her running and my skipping on my one gimpy foot, before arriving at the Dom Luis bridge. We walked across the bottom and then climbed some four hundred steps, which I nicknamed “The Steps of Truth,” in order to arrive at our hotel.

We slept early that night so we could have a final look around in the morning – yet when morning came our plans for an early wakeup didn’t come to fruition. We were both tired and didn’t end up leaving the hotel until almost noon. We ate lunch at a vegan restaurant then ambled our way around the city until finally catching our flight home.

Sightseeing in Sintra

We took the bus back to the Lisbon airport and picked up our rental car. As it’d been about ten years since I’d been taught to drive a stick shift, I bought the additional insurance which would exempt me from . and it showed as I spent about five minutes trying to get the car to start by going into third. Driving stick itself was taxing on my nerves enough, but lacking familiarity with the roads and the language the signs were written in made it even worse. The drive to Sintra was not bad, but once there it became much more problematic. Sintra very hilly and has mostly tight, winding, one-way, mostly unsigned streets. The directions I’d printed out to our hotel listed their old location, and so upon getting there we were greeted with an empty building.

We walked over to the Gardens and though it was officially closed, we found an open door and got to view the gardens for a little bit. Unfortunately, however, a groundskeeper saw us and shortly thereafter we had to leave. We walked around some more, going into several little gardens but as it got dark the temperature dropped very quickly, due to Sintra’s microclimate, and we returned back to the hostel. The proprieter of the hostel we were at made a Christmas Ever dinner for all those staying and we had a traditional Portuguese dinner. Much fun and merriment occurred.

On Christmas Day we drove up to the Moorish castle. Because of the holiday the site was closed. While looking at the door we met a group of travellers, an Iranian and a German guy and two Brazilian girls who also wanted to see the castle. We climbed over the sidewall, only a few feet high, and then started walking around. Appearently we weren’t the first ones to have this idea as once inside we encountered several couples that were meandering their way through the park area. As we walked around, we joked about how typical this scene was for American horror movies about travelers – how soon an zealous security guard, obsessed with rules, how the spirits of the dead which once protected this site would come and get us, or how one of the Brazilian girls was actually working for some sort of group that would torture us to death, a la Hostel.

We eventually made our way to the area directly outside the castle walls, but the gate was locked so we had no way to get in. We creeped around the wooded are to the side of the gate and found a two ways of climbing the twenty-foot tall walls. Josselyn and the Iranian climbed at the first and more difficult entry while the rest of us went to the easier one some hundred feet away.

Being alone except for these other four people here at the top of the castle was so spectacular. We walked along the ramparts, looking out onto the Atlantic ocean and into Sintra, talking copious pictures. Walking up and around the hundreds of stairs combined with the strong sun made it warm enough to walk around without jackets.

After Josselyn climbed back down the side, walked our way around to the front and came out of the vegetation we encountered a security guard who was unlocking the front gate to tell us all to leave. He said that we were not in trouble, that this happened every year, and that we just could only walk around in the non-Castle area. Having already seen this, we decided to just leave rather than waiting for our new found companions to catch up to us.

Looking at Lisbon

After arriving in Lisbon I immediately encountered a problem: There was no immigration controls and therefore my passport would not get a stamp. This was a point on which my refined particularities could not rest and so I asked a police officer near the exit in Spanish if we had somehow passed an examination point while gesturing to my booklet that I wanted it stamped. He gave me a dimissive chuckle and said no. I swallowed my disappointment and Josselyn and I grabbed a bus into the city center to go to our hotel.

Making the west to east path from the airport in even on just a public bus was a beautiful sight. In the outskirts of the city we passed by large single-family houses, buildings that look like middle class South American projects, amazing graffiti and then we came across a statue of Christopher Colombus. From this point on the rest of our journey would be around the city center and we would be seeing beautiful statues referring to conquest, peace and the foundation of new constitutions, large gothic buildings for churches and schools, opulent plazas made to showcase the wealth extracted from the New World. While in this public bus I felt so taken aback by the tight proximity of so many significant buildings. We got off the bus at the last exit and from there got out first sight of the Atlantic from the other side of the ocean.

While at the moment finding our hotel was a greater priority than a little oohing and ahhing at a sight that I had spent many hours of my youth looking at across from the other side, it did strike me as being an important moment.

After checking in and dropping off our bags we ate and walked around Belem. Here we had our first taste of the Belem pastries. They were as delicious as I’d heard they were and we ended up eating a dozen before leaving four days later. These pastries are so important to the region that rumors circulate as to how many people know how to make them. In fact, over breakfast the next day I listened to two British travelers heatedly discuss whether it was two or three people who knew the secret recipe for them. They both agreed that none of them were allowed to travel together in case an accident happens which would cause the recipe lost forever, but whether or not a teenage grandson, whose name escaped the graphic designer from Manchester, had been informed of the family secret seemed to be the cause of discord. The high-bred, Hong Kong born youth on a gap-year claimed that this was non-sense. He claimed that as he hadn’t worked his way through the company yet from the lowest position to the top he hadn’t yet earned entry into the inner circle or trust and it was only at this point that he would be told the secret recipe. It was at this point I couldn’t resist joining in, saying that it didn’t matter if all the family owners disappeared as the workers, despite none of them being informed of the whole recipe, would be able to talk to each other and recreate it perfectly. This new set of considerations caused an immediate row, though I didn’t listen to the fruition of it for Josselyn and I then made our way to the attractions of Belem. Coming back from the future, following our meal we walked around without any particular place on the itinerary for a while and eventually retired for an early evening over some port.

The next morning we woke early and went to the Jeronimos Monastery. After the visiting De Gama’s resting place  we went to the Maritime Museum – a testament to the role of sea exploration in Portugal’s culture and history. Everything related to the seafaring life was documented, save the cargo going to the New World, and a mighty picture did it paint. Not only were there paintings of battles with the British, but there were many a model of ships that were greater in size than human beings, giant maps showing Portuguese possessions along Africa and India, showing the natural goods of a region, showing the holdings of other powers, paintings of important captains and admirals – all with beards indicative of powerful patriarchs, cannons and guns, compasses, astrolabs, anchors, portable examples of ropes for use in the maritime academy – even a dozen full ships taken from the ocean and placed in the museum so that they royal glory can be held onto as a relic an looked onto as a sign of continual importance despite the fact that it is from a outdated world of, as Nietzsche would refer to is, as monumental history. The ships that ended the exhibit, transitioning from wind powered war ships to combination wind/engine to just engine sly not so slyly commented on the Portugal’s decline in relation to other western powers. One exhibit here specifically showcased the ordinance used in a pre-World War I naval battle between them and the Germans. While the latter used 20 mm guns, clear evidence of their intention to be able to conquer other industrialized nations, the Portuguese responded with 7 mm guns, evidence of orientation to rule over people without access to industrial weapons capabilities.

After this exhibit we went to the Tower of Belem, the site at which many of the voyages to the New World would get their official farewells from royalty and a place that was used for a short period of time as a political prison.

Following this we went to the Berado Museum of Modern and Contemporary Art, which has a very impressive permanent collection of modernist artwork starting with the Dadaists and moving up into the myriad “isms” of the post 80’s art scene. What I liked most about the museum was though there clearly an imperative to obtain certain artists’ works to be able to say that they were represented there, none of them were chosen with care onto the work itself. Thus though a small museum in Belem, the collection was impressive even after having seen Madrid’s gems.

In addition to the permanent collection was a temporary display on the propaganda posters from the Second World War. The posters were from every combatant’s side, though predominantly from the American, and ended with a long animated documentary originally shown in movie theaters that illustrated the importance of building long-range bombers to fight the German war machine. I’d seen many of the posters before when doing a research projects on American propaganda and looking at them now gave me the same sort of feeling – that despite all the tragedy involved in such a large conflict, the social strains that happened for the non-combatants, what an amazing effort towards organizing daily life for a purpose. I found the manner in which all sorts of items and practices were limited, tabooed or structured in such a way that it benefitted the war effort, such as the saving of animal fats at home for dropping off at butchers who will pass them on to the government for bomb-making, to be fascinating. Especially so as now more and more scientists state there is increasingly a need for all human’s behavior to be monitored and corrected or it is highly probable that barbaric conflict caused by global population movements in response to climactic change will occur on a scale never before seen.

After we left the museum, we walked to the Presidential Palace to get some pictures of the gardens and statuary across from it. From here we watched the sun set and then went to eat at a Chinese restaurant.

Lisbon is also known as the city of seven hills and going up and down it’s three highest points over a three hour perambulation through the thin pedestrian corridors leaves one drained but still fascinated. The city itself reminds me in many ways of some South American cities I’ve been too – a very clean city center with evidence of decay all around it. Buildings with cracked paint are endemic and there are literally hundreds of abandoned buildings that have been bricked up. I was to see this not only in Lisbon but in Sintra and Porto as well. Strangely enough, considering the state of economic affairs in Portugal, I didn’t see evidence of squatters in any of the buildings. This contradiction between the high cost of housing and the wide scale availability of use for residential or business use is something that needs to be addressed by those that are fighting for reforms not created by the E.U. I saw several posters for a United Left movement in Lisbon, however there’s none of the direction action culture here like there is in Barcelona. Yet unlike the Brazilian barrios, there were no barriers between the hillside/poor areas and those below that are richer.

In the poorer section of Lisbon, where once the Arabs and Jews were segregated following the reconquest, you can see their lingering influence in arcitectural qualities that aren’t as readily apparent as, say a migilah. The streets are very narrow, which keeps the sun out, thus making it cooler. The age of the city is also apparent in how it is made, evident in the communal showering and clothes washing facilities in some areas.

As we walked back into the city center area Josselyn and I were immediately harassed by drug dealers. Despite my very firm refusal of their offers, people would continue to harass us with offers of hashish and marijuana. After the third time this happened, I stopped being polite when someone would greet us and just ignored them. This was more effective than a firm “no”. My experiences in Dublin, where we stopped and talked to amiable people with enjoyable accents speaking on behalf of groups such as Doctors Without Borders and Greenpeace had softened my normal New Yorker tendency to ignore people I don’t know trying to stop me on the street. Ignoring their advances brought many of the more admirable qualities of the city into view.

Many of the Lisbon’s buildings facades are tiled with light blue patterns or large pictures if not maritime influenced decoration. I can only imagine that it was having grown up in a house where Danish plates of similar color but different images attracted me so much to these blues and themes – but I kept commenting on them to the point that Josselyn started to make fun of me for constantly gushing on how beautiful I thought it all was. I was somewhat sensitive to such poking fun at my expense, but when she agreed that this would be a nice color theme that could be brought into an imaginary “kitchen of our dreams” one day I felt happy. While walking we also met a few honest, lazy beggars who provided us with a hearty laugh.

After all this walking around we went to a Portuguese wine tasting to relax. We got to try several whites, roses, reds, and muscatels and followed this by eating cuttlefish and squid at a non-descript restaurant a few blocks from the Praça do Comércio.

The next night we went out and visited some more of the city and finally decided to see some of the nightlife. There are few places on this world that I would view parts of as being favorable to New York and Barrio Alto is one of them. Here the people fill the streets like I’ve never seen. I imagine it being similar to the gin bars that Engels describes in his tome on the conditions of the English working class, but rather than the desperation born of super-exploitation written on the faces of those present there was the drinking for an enjoyment of the epicurean kind. Barrio Alto is the student quarter and here there are indeed thousands of people on the street chatting, going in to dance, outside to smoke from bar to bar to circulate. The drinks here were exceptionally literally 1/5 to 1/8 of the price that it is in Barcelona and the people much more welcoming and convivial. We looked for a fado show amidst the anarchy of the street but found none. However we did come upon a live music venue. As the song playing when we came in was Oasis, Josselyn’s favorite, we stayed there for a while dancing and making friends with the locals then followed the four a.m. torrent of people down the hill to go home or to other less than respectable locations.

A Visit to Madrid

We arrived in Madrid at 9:30 a.m., which was just enough time to go from the airport to a Civil War tour starting at 11 a.m. if we were to walk briskly. However I sprained my ankle three day ago, causing me great pain when walking. The pain was so bad that Josselyn offered to push me around in a luggage cart and the strange stares didn’t dissuade me from this course of action. By the time we’d left the get and the luggage cart, however, we changed our plans and went to visit the airport doctor rather than trying to rush to the tour.

Two different doctors checked me out, each telling me to stay off my feet for a few weeks then wrote a prescription for an anti-inflammatory to help with the swelling. My response that I was on vacation and wouldn’t miss out on seeing the city elicited a laugh as well as an advisement not to push myself. While it’s true that I could always return, the idea of being bedridden over the next two weeks that we’d planned on traveling was detestable and I decided to grin and bear the pain as much as possible.

We took the train in and got off at Sol stop, in the middle of the plaza of the same name. The plaza was huge and filled with vendors selling lottery tickets for Navidad. There were also several people in children’s costumes encouraging tourists to pay for a photo with them and beggars with physical impediments. This last category was somewhat shocking as it’s something that I hadn’t seen in Barcelona at all.

After dropping off our bags we walked over to the Prado Museum. The Prado, like many of the other museums that visited this trip, has an extensive and impressive collection of art too numerous to examine in any detail. What I found to be the most enjoyable, however, was Carvaccio’s, the Goya’s and the one Picasso that they had in “Acrobat on a Ball.” Several of the Romanesque style commemorative sculptures made for Spanish generals in the 18th century, a form of art not normally to my liking, impressed me as well.

A few hours into exploring the museum, the peckishness that we quelled with mini-wraps and carrot cake at the café gave in to a full out hunger. We were both tired and got some empanadas and pizza and went back to the hotel. While eating we flipped through the television in our room and happened to come across the movie Everything is Illuminated. As it was the first movie that Josselyn and I watched together some three and a half years ago and we weren’t interested in experienced Madrid’s famous nightlife while I had footpain, we watched it again.

We had a refreshing sleep, prepared for our day and had some pastries and mulled wine from Mercado de St. Miguel. After the enjoyable Sandeman’s tour we went on in Dublin, we decided to go on their NewMadrid Spanish Civil War Tour. While our guide, who was Irish, was extremely well informed and didn’t rely upon notes at any time for dates or names, the actual sites were less than compelling. This is of course understandable, however, as being that it happened so long ago and is an occurrence many are eager to forget the architectural traces of it are few.

The tour started off in Plaza Mayor and continued to Plaza Sol, the main site for populist political life in Madrid. After this we walked to a rather undistinguished bar. Here it was, we learned that the first Spanish socialist party was formed. Anyone familiar with the origins of other socialist parties will know that beer hall origins are a common denominator, this being one of the few spaces open and available for workers to have the space to talk. I was somewhat disappointed that this wasn’t explained.

Another issue that I took with the tour was the guide’s use of the terms Nationalists and Republicans. While there were certainly groups within this denomination that were of an internationalist orientation, such terms present the Republican’s as somehow fighting against the interests of the “nation” per se. Each group was fighting for a different notion of modernism and how the “nation” of Spain would be organized. Going into this makes it more of a lecture than a walking tour, though a passing mention of this would have eased my historian’s sensibilities.

Following this we went along the main street that the German airplanes bombed and there was cursory talk about Fourth Internationalist involvement in the war. We went to a cite commemorating an attack on Nationalist soldiers and some remnants of pillboxes in a park which was near by a statue that had gunfire markings on it.

One of the aspects of the tour that greatly pleased me was its use of comparison to one of the other main sites of the Civil War – Barcelona. While Madrid had many more Communist cadres that were disciplined and open to military organization the rebellious citizens in the capital of Catalunya were predominantly anarchists. This orientation had a profound effect on the manner in which each city was defended from the Fascist army. How it was that the city managed to defend itself longer and stay a more cohesive unit was gone into in depth and this was pleasant, however

This tour is somewhat of a paradox: those that are interested in this period will know much of the information and, like myself, while finding it enjoyable will feel as if is lacking the physical qualities as the actual traces of the war are so few. While those that are uninformed may find the material interesting, finding the sites less than compelling they will view this struggle as something essentially Spanish rather than relating to the entire economic world system that would lead to the eruption of World War II. For those that are interested in touring the sites of Madrid I’d simply recommend skipping the tour and mapping out a few sites to visit yourself.

After this, I went to the Thyssen-Bornemisza Museum on my own as Josselyn was tired from the previous days perambulations. On my way there I took a non-direct route and discovered a plaque commemorating Filipino author Jose Rizal. To say that a non-violent anti-imperialist activist against Spanish rule in the Philippines had a plaque in the capital city surprised me is an understatement.

While I’ve not read his most important books Noli Me Tangere (Touch Me Not)
or El Filibusterismo, he featured prominently in Benedict Arnold’s book Under Three Flags: Anarchism and the Anti-Colonial Imagination, which I read for my Global Histories class.

Once arriving at the museum I was delighted to discover that there was a special exhibition on the Russian Avant-Guard. The security there was much more lax than at Prado and as such I was able to take pictures of the better works on my phone to share with Josselyn. I hobbled back to the hotel and as we were both hungry we went to eat at an Argentine steakhouse.

Now with the exception of Colombia, which I didn’t visit during a festival season, I’ve never spent much time in Catholic countries. Because of this seeing the Christmas spirit in Madrid was a unique experience for me. Like Barcelona there were lots of lights atop the streets showing with themes of wreaths and decorative balls, however the sheer number of people in the street, many with ridiculous hats, singing with others was completely unique.

Our last day in Madrid, Josselyn and I went to the Museo Reina Sofia. We left to get there shortly after it’s opening as I’d heard the Guernica room filled up very early and didn’t stop until close and I wanted to get some “alone time” there. However this didn’t happen. I was grateful for seeing it as well as the other wonderful pieces of art and photography there.

Review of "The Monied Metropolis: New York City and the Consolidation of the American Bourgeoisie, 1850-1896"

The Monied Metropolis: New York City and the Consolidation of the American Bourgeoisie, 1850-1896 is a comprehensive history of the New York bourgeoisie, without a doubt most powerful and influential class in the 19th century United States. His work is not simply a regional history because the people are quite literally shaping the infrastructure and institutions of America, but also because Beckert consistently moves his level of historical abstraction from local developments in New York to the national implications and consequences of their actions. Combining the social, political, economic and intellectual history of this class, he provides many compelling arguments that give insights in to the reasons for their development. One of the starting points for his analysis is kinship-networks, the prevalent form of business organization at the time. As family business was usually something either born or married into, it becomes evident just how cautious this group of people is in maintaining it’s power and privilege. One’s mistake at the office could quite literally have the effect of turning the family into workers rather than employers or traders.

Beckert’s historiography is such that much of the information as to how the bourgeoisie came to set themselves apart from the working class comes from their own business literature, cultural publications, letters, diaries, property records, club membership rosters and congressional testimony. Beckert focuses on institutional formation, which included acculturation through clubs, churches, high society functions, marriage, militia and government service as well as the mores related presentation of the self and home, travel, raising children and women’s role as maintainer of respectability and kinship networks. As Beckert summarizes, it is the combination of this “complex web of behavior, tastes and taboos (which) provided them with the symbolic capital that proved to be a major asset in navigating the world” (40). However The Monied Metropolis also clearly shows that it is not merely the possession of these cultured qualities that makes one a part of the upper crust, as many of those in the newly formed professions had similar aspirations.

During the period of a financial crisis, much like today, Beckert shows how the bourgeoisie mobilized for class retrenchment via greater government control. Showing similar insight that Poulantazus would write about hundred years later, these New Yorkers feared that there were great dangers to be had from public works. Employment programs, welfare “limited their ability to cut wages and indirectly supported the power of unions” (214). By embracing and propagandizing a culture of private charity they were thus able to keep a large army of the unemployed as a disciplinary measure against workers seeking redress of economic or workplace grievances. Charity became a sort of terrestrial and celestial insurance by making sure that those receiving such pittances were actually “deserving” rather than shirkers, drinkers or idle, and that those giving out a portion of their bumper profits were seen as saintly. While those receiving handouts hardly conceived the rich as benevolent saints the construction of the latter shows how later liberal institutions created to monitor the activities of the unemployed came about. It is during the period of retrenchment we also see the various means that the wealthy sought to subvert democracy. Not merely by influencing local politicians but by changing state legislature so that appointment would be the means of determining significant political positions. Such changes were considered to be of the utmost importance specifically after the Tammany machine finally broke down.

Beckert provides a wealth of details to the various conflicting and at times overlapping ideologies of governance held by the New York bourgeoisie. Such rallying ideas for political mobilization are consistently shown in relationship to southern influence and developments. This meticulous approach is instructive as it illustrates the divides within the New York bourgeoisie itself, whether merchant or manufacturer. This becomes especially important during the debates leading up to and during the Civil War. Wile the former seeks to maintain the harmony always desired by the trader, the latter recognized that until the South provides raw goods to the North rather than being part of the transatlantic trade with the British it won’t be able to fully come into it’s own. Beckert puts aside contingent and determined economic factors of economic development, this not being a history of the North/South relationship, while rich detail about the political activism and ideological constructions of manufacturers and merchants are provided. Exegesis on the “tax-payer” ideology is particularly interesting as it shows how after the civil war the former southern plantation owners started using adopting the terminology of this northern ideology to deal with the conditions of Reconstruction. This allowed the southerners landholders to continue an essentially racist series of social and political policies by masking the historical conditions via coded language. As Beckert clearly shows, this was received with a wink and a nod by the northern elites who also found universal franchise to be an unfortunate barrier to their continued capital accumulation.

Beckert is also keen on showing how it was that the New Yorkers were able to build an ideology that showed them, correctly, as the new economic and cultural hegemon of the world. In this he builds up similar arguments as those put forward by T. Jackson’s Lears No Place of Grace: Antimodernism and the Transformation of American Culture, yet this is not a restatement of Lear’s positions, but one that is more specifically concerning the New York bourgeoisie. Those that had descended from old stock American families started creating imagined communities, in groups such as the Song and the Daughters of the American Revolution, where their shared heritage became cultural capital and evidence as to their dominance in the direction of American life.

Heritage provided by European aristocracy also became of ideological interest to the bourgeoisie. While first seen as a holdover from the feudal era and a sign of European backwardness, as immigrants stocks arriving to America began changing, along with the primacy of means of production, social Darwinist theories came to be ever more popular in explaining the ascendency of the rich and the degeneracy of the poor. Pseudo-scientific theories were formulated in order to show how the new, less skilled, workers were genetically inferior. At the same time, sons and daughters of the New York elites increasingly showed status by marrying European aristocracy in order to obtain titles, regardless of how poor their partners were.

By the end of this book, Beckert showed that through all of the aforementioned practices and others elided from this review that by the dawn of the 20th century, the New York bourgeoisie had made themselves the most powerful group in the United States. Foreshadowed within this period are the inchoate tendencies that would make themselves felt again as the lower classes continued to clamor for more wages, as war would break out and risk investments in Europe, as a million of other crises large and small required assistance or guidance of some kind. Beckert leaves us with the clear impression that the New York bourgeoisie is the guiding light for the world bourgeoisie and that their input, experience and influence will eventually lead to the type of internationalist elite which The Atlantic write about here.

Visit to Dublin

This past weekend my fiancé and I took advantage of a cheap flight special by RyanAir and flew to Dublin for the weekend to celebrate my birthday. Though waking up to get to the Barcelona airport was a bit unpleasant, being able to arrive and start the day with a typical Irish breakfast next to a coal fire was worth such discomfiture.

We checked into our hotel then walked around the areas around the Lifee river, around which Dublin is developed. After about an hour of ambulation later, we then walked to the Old Jameson Distillery. I obtained tickets in advance through the website so was able to escape having to wait in line or hope that a tour would happen before close. The tour started with a video providing a brief history of whiskey, the founder of the Jameson distillery and the manner in which the company was growing today. It had the feel of an informercial, but was well-enough produced and had enough information of interest to keep even the disinterested entertained. From here we walked inside and saw a series of tableau vivants. It started showing the storage and processing of wheat, then continued on to different steps in distilling with a special emphasis on showcasing the equipment used to make the alcohol. The next section had barrels with corked lids in order to show the “angel’s share” over time. In total the tour was not very long, perhaps half of an hour, but being able to see the videos and experience even a simulacrum of the production involved is well worth the price of admission. The ticket price also includes a free drink, which is how we finished the tour.

When I’ve drank whiskey in the past, I’ve typically done so straight or with a dash of water. However here I was given the option to try it with cranberry juice and was presently surprised how refreshing it tasted. Josselyn had the whiskey with ginger ale, which was also so pleasant that she expressed her first liking for the liquor. Because we had been randomly chosen at the beginning of the tour, at the end we were then separated from the rest of the group in order to develop our “whiskey tasting skills”. Two non-Jameson brands were pre-poured next to the Jameson and we sipped them while the tour guide gave active commentary on our experiences. At the end she asked each person what their favorite is.

The purpose of this is to have all those chosen for the tasting say in front of everyone that they prefer the Jameson to the others, relying upon social pressure if not on actual personal preference. While I was a little put off by this, both as my favorite liquor is peaty single malt Scotch’s like Laiphroaigs, I do usually buy the Jameson more as it’s more widely drank by guests.

A Perfect Presentation Of Jameson

After finishing this whiskey flight, the tour ended but Josselyn and I continued on our tastings into the beautifully decorated bar in the foyer. There we had another flight of whiskey, which consisted of their 12 year, 18 year, Special Reserve, Jameson Gold and Middelton labels. The whiskies were delicious, being their premium labels, but it was the bartender’s effort into the Irish Coffee that was especially commendable. The coffee was sweet, as Josselyn likes it but I don’t, yet cut with just enough of the whiskey so as not to make it seem overwhelming. It was a perfect way to end our tour before having to go back into the cold and we left feeling very warmed by our experience – though this may stem from the fact that we’d just had several shots of liquor on mostly empty stomachs.

It was these empty stomachs that prompted us to stop at an all-you-can-eat Asian restaurant. It was after eating here that I discovered one of the problems that I soon found to be endemic to Dublin that a former New Yorker found to be an especially perplexing problem – lack of acceptance of credit cards and ATM’s that were blocks apart. As anyone who has lived in Manhattan or the areas close to it in Brooklyn know, ATM’s are omnipresent and cards are accepted everywhere. In Barcelona that has been the case as well, so their lack here also surprised me. The situation was such that after we ate, having no cash to pay, I had to go find a second ATM that was two blocks away from the one that had been suggested to me by the wait staff as upon getting there I discovered it was out of order.

It was too late for us to go to the Guinness Storehouse and as we would have had to run in order to catch up with the Literary Pub Crawl we decided to instead top at a few places on the way back ourselves. With the food, the lateness and the tiredness, however, this desire actually only translated itself into one stop which was followed by the rest of the weary traveler.

A romantic moment with my princess

We awoke early to eat a simple but pleasant breakfast at the hotel then embarked on a three and a half hour tour of the city via Sandemans. We learned a great deal about the tragic and humorous history and culture of Ireland’s capital – specifically in relationship to the Irish’s many attempts to obtain home rule from the British. Our guide, Gavin, had extensive knowledge of this and told it with gusto, detached humor despite suffering. It is not just this style of speech but the tour itself that gave me memories of a similar guided jaunt in the Golan Heights. There too the guide showed us around the areas once occupied by others, giving the history of a regional conflict with obvious attempts to sway sympathy to one side. I don’t mean to evoke any sort of deep comparisons between these two places, but merely state that being in this tour I came to realize that one of the cultural fronts between two such peoples consists precisely in such seemingly innocuous tours. The mobilization of sympathy through such narrative structure that one physically relates to at that precise moment it very powerful. Whether it is someone telling you that the spot you are now standing on was once a shooting ground for British snipers and mortar rockets, or that one a clear day you can see Damascus which one directed a full scale invasion through the are on which you stand, makes for compelling narrative. Combining this with memorial art immediately after seeing this definitely has an effect of emphasizing this. In the Sandeman’s tour, the lack of accounts to counter those given stemmed in the first place as a systemic result of the political system while the latter was due to the lack of British visitors – however I doubt this would have blunted much of the edge of the comments. The result would have likely been merely barbed banter and apologetics for something outside of one’s control. Regardless of the political issues at hand, the architecture, as the picture here shows – was very romantic.

That said, as we ended the tour Josselyn and I were joined by Phil, from Prospect Park, and went to a restaurant in order to eat some Guinness Irish stew. It was served cafeteria style in a large bar that the group attended after we went, and while it was good considering the hunger we’d worked up in our walkings through the cold, I couldn’t help but thinking that even though it was less “authentic,” I’d made it better before. After eating we split a cab to the Guinness Brewery as we were all tired from the walk. While not someone who drinks regularly, I am a fan of stout beer in general and Guinness in particular.

The Storehouse which tourists can visit is an actual working brewery in the same way that those who visit Brooklyn Brewery’s tours on the weekend see the people working, but it is so much better for not being so. The seven story edifice is filled with everything Guinness related – the actual ingredients that go into the drink, machinery that is used in order to brew it, the history of the now obsolete but once very important cask makers, as well as advertising. The production value of the place is indeed impressive and reminded me of the science museums that I used to love to visit as a kid. Josselyn and I spent probably two hours going through the entirety of the Storehouse, and at the final part of our educational edification we able to top off such knowledge with a full glass of Guinness draft.

My Goodness, My Guinness!

The view was breathtaking and sipped our beers as respite from all of the activity of the day so far.

After this we had enough time to change clothes, drop off the small presents picked up from the Guinness gift shop and managed to catch up with the pub-crawl. We went to several bars and clubs, the names of which all escape me except for “The Kitchen”, which is owned by Bono of U2 fame. It wasn’t anything spectacular – but it was enjoyable nonetheless.

The next day we woke up around mid-afternoon, very comfortable and protected from the slightly chilly room by the enormous blankets provided by the hotel.

We walked around the city in order to see some of the other sights, including the Book of Kells, which is as impressive in person as it is when looking at a picture of it’s contents, some more parts of Trinity college, and St. Patrick’s Cathedral. Amusingly enough, Josselyn turned down my suggestion that we look inside the church as she wanted to view more parts of the city. We were told later by Dani, a Brazilian friend Josselyn made the previous night, that if we would have gone in the church at that time they would have been starting mass shortly, which I would have wanted to stay for, and that if we would have done that we would have met Bono. While I personally don’t care, seeing Josselyn’s face as she related this fact to me the next day did bring me some laughter.

We stopped for coffee and inside I saw a newspaper article that I found telling of the general state of world economic affairs. A local rag related the proclamation of the Irish Arts and Crafts council that stated that if at the time of the upcoming Christmas each person was to spend only 5 Euros on domestically produced craft than the nation as a whole would save 13 million Euros. The news story made me think of Jonathan Swift’s famous satirical manifesto as well as a comment made by the Dublin guide the previous day. The first because he upbraided the wealthy landowners of his time for, among other things, importing foreign goods at great expense rather than purchasing and helping develop markets closer by and the latter as he explained that during the period when the loans were rushing into the country there was no lack of spending on foreign produced goods. The figure of speech which the guide had used had been quite telling – what happens when you give a bunch of money to a people that had never been instructed on how to spend money before – they spend all sorts of stupid things like new clothes and TV’s and what not – which do nothing to accumulate additional capital. This is a theme that ‘ll develop further in another blog, however, I’ll simply point out the huge difference in the possibilities in Irish and American newspapers as the latter would never publish such a news story, funded as it is by the advertising of multinational corporate interests.

We stopped to eat at a lovely little Cornish pastry bakery run by an Argentine woman about to return home for the holidays. As Josselyn and I have been considering moving there at some point, and as the two of them have some sort of connection as Latin Americans in that region, we stayed there for a while and learned about the economic conditions there right now. I’m still open to considering it, but there are admittedly many other places that I would prefer to move to next.

After making a brief stop to watch a flash mob, we walked through the main commercial thoroughfare, looking at some of the street artisans works and stopping to watch to one of the juggling buskers, then went to the hotel for a brief rest. After which, Josselyn took me out for my birthday dinner at One Pico. One Pico serves modern Irish cuisine with a price that is a steal compared to similar quality restaurants in other countries. The almost casual ambiance lacking signs of opulence consists of low lighting, minimalist decoration in the form of early twentieth century glass and gold wall lamps with decorated mirror balls hanging underneath. These mirrored balls are not tawdry seemed to indicate that the culinary traditions of various places receiving large Irish migrations will influence this location.

My fiancé took me here for my birthday and upon entering the unseasonably cold night we were promptly asked for our coats and quickly seated. The waiter was a little pushy in obtaining our orders immediately, but this could be false as I may have just gotten more accustomed to Spanish cameraras languid attitude more than I had thought. While we waited for our orders to appear we were offered a selection of breads – whole grain, raisin and walnut, tomato, and plain.

I started off with the foie gras appetizer. It had included square cuts of fresh pear dusted with breadcrumbs, a thick slice of fluffy white brioche toasted so as to give it a texture that perfectly complimented the spread and a pear –vanilla puree. I had this paired with a German Riesling whose fruity notes accented this wonderfully. My fiancé had the Beef Carpaccio, which she enjoyed greatly.

For the second course I had shallots and pork while my wife had steak. There are few things that are more simple or delicious that an excellent cut of steak. When combined with a fried onion, pureed sweet onion sauce, a grilled leek and a small dash of spicy sauce on the side it makes it perfect. I had to plead extensively to obtain a second bite from my wife of this delicious combination – and it was my birthday dinner! Along with our dinner we had a delicious sauvignon blanc, chosen as my wife is averse to red wines. I was at first somewhat reluctant as to how this would pair with the pork and steak respectively, however the sommelier was spot in his assessment of the pairing. While not as full bodied as I am used to preferring, I found that the lightness of it countered well with fat of the pork and brought out the slight fruit notes in the semi-spicy sauce holding the shallots to the plate. My wife said that she greatly enjoyed it as well.

Delicious Pork and Scallops at One Pico

We finished our meals by both ordering strawberry cheese cake and, as the lime sorbet was out that day, raspberry sorbet paired with a Moscatel wine from Malaga. The cake came out slightly chilled and topped with a fresh, room temperature compote made of raspberries and blackberries. The tart of the berries juxtaposed with the sweetness of the cheesecake was not the only exceptional aspect of the desert – but both the cheesecake and the sorbet itself were exceptional. In the United States it is typical for cheesecakes to be quite hard to the downward thrust of the fork, from the cheesecake itself to the hard crust at the bottom. The desert we had at One Pico, however was soft on the top and bottom. The crust seemed to he held together simply by the wish to be delicious and the cake itself was light as a down pillow and had none of the overwhelming denseness that so many other restaurant mistake for the sign of a well executed cheesecake.

With this combination of excellent service, delicious food unto itself and it being an exceptional value we will definitely return when next we are in Dublin. The next morning we woke early, yet again, and took the bus back to the airport and a short flight later we were back home.

La Maleta Mexicana

Since moving to Barcelona several events of regional import have occurred. A ban on bullfighting in Catalonia, viewed as a cruel and solely Castillian pastime, has been put into effect. The Popular Party, which began from the ashes of Franquismo and still contains elements of it, has ejected the PSOE from national power. Wide scale revelations of Catholic social agencies falsely pronouncing newborn children dead to their mothers so that their children could be given to deserving Francoists has happened. Additionally, the Civil War pictures of Robert Capa, Chim (David Seymour) and Gerda Taro have returned to Spain. While this last event is of the least world-historical significance, there is good cause to recognize the pictures themselves for their artistic value but to see in it also a return of something precious once lost to Spain’s cultural history. If it weren’t for the fact that the photos reproducible, the return of the photos to Catalonia for the first time would be similar to the return of the Elgin marbles to Greece.

The Civil War is a taboo topic in Spanish society. According to one of my Spanish instructors, the extent of its teaching in schools is that “it happened” and the only to the extent that Franco took power. The sundry reasons for the war, the scope of the tragedy during the war and that afterwards political purges against those sympathetic to the Second Republic killed tens of thousands more are disavowed. Yet what cannot be silenced is the profound influence that such occurrences had on the current makeup of Spanish society. When all that is spoken of is that a political liberalization followed Franco’s death it ignores the fact that many of the potential political activists, intellectuals and other people that could have been significant in institutional statecraft or non-governmental structures were exterminated.

Yet despite the potentially painful and conflict inducing nature of this exhibit, this hasn’t stopped many people from visiting the museum and coming to see them. I have no figures to say just how many people have gone, but I can relate that it wasn’t until the second time that I went to the museum that I was able to see the pictures as the first time the exhibition was filled to capacity and had a long line of people going outside of the MNAC.

The exhibition was organized from the start of the Civil War. The narrative thrust of the pictures, from the speeches of agitators and crowd shots of peasants and factory workers, the first preparations of defense from an assault by those that had once been their neighbors, the ruins following aerial raids, and ground combat was gave an idea of what was going on, however with the above historical understanding there is many things implicitly missing. Unseen are the roving squads of Nationalists going through conquered cities at night in search of those that had been enemies or sympathizers by day. Visible are the poor conditions that the Republican Army and International brigades fought under and their stoic faces when preparing for an air raid by Nazi planes. At the end of the exhibition we learn through that the photographers felt they must flee to Paris and then the United States in order to survive the continued victories of fascism.

The exhibit is designed to show a dialogue between these pictures that were known of and printed in international magazines documenting the war along with the 4,500 other negatives that hadn’t been published. It exudes a certain sadness to it in that not only is the effect of though we see widely publicized pictured hinting at what a new conflict would look like amidst the advanced industrial powers of Europe, people were still unwilling to mobilize in order to prevent it’s occurrence. Along with the pictures themselves were two videos, one of which was an American newsreel, with subtitles in Spanish and the other a film reel shot by Capa, as well as original magazines from the period which used the pictures of the three authors. One of these magazines includes an article by Winston Churchill, which tellingly states that unless the United States is willing to openly declare that it won’t allow any one power to control the European continent that there will be war. Such articles are an interesting accent to the exhibition as they openly hint at the historical context outside the immediate pictures. It displays not only the “special relationship” between Britain and the United States, but the idealistic isolationism of the latter and the devastating effects of it’s unwillingness to replicate the balance of power diplomatic policy used by Britain for hundreds of years.

In this regards, despite the fact that very little attention is given to the details of the Spanish Civil War, Henry Kissinger’s writing about this in Diplomacy is highly insightful in pointing out the context wherein virtually every Western power saw a Fascist Spain as less of a danger to their interests than they did a marginally Leftist Spain presumably tied to the Soviet Union. That such a position was radically misinformed, as the Spanish Republicans and Libertarian Communists were not puppets tied to Stalin and certain sections of the myriad groups supporting the left only later came under Soviet influence after the total isolation by the world community left it little choice, only became clear in hindsight for those involved.

While all of this is only visible through a dialectical reading of the pictures, the pictures themselves are significant not only in their documentary nature but in their composition as well. The photos of Branguli, which I wrote about earlier, are another set of images quite literally helps provide a fuller picture to the economic and political developments occurring in Barcelona at this time.

If you cannot get the chance to see them in person – I would highly recommend buying the book showing all of these once thought to be lost pictures.

I’ve not gone into too much detail on the history of the photographers as there is an excellent documentary on Capa and La Maleta Mexicana that once released is eminently worth viewing.

Bilbao and San Sebastian

I’d wanted to go to Pais Vasco since arriving in Spain and a RyanAir flight special finally convinced me to visit Bilbao and San Sebastian over a three-day weekend. I departed at 6:30 am and as the flight is only a little more than an hour landed at eight am. A quick bus ride and a short walk later I was at my hotel in the middle of La Ribera, the old town district along the waterfront which had been continuously occupied since the thirteenth century and is now known for it’s haute cuisine and pinxhos culture. Tired from going to sleep late out of joyful anticipation of exploring a new place and waking up early I took a short nap without bothering to set an alarm as getting up late is just on par with Iberian culture and I knew I wouldn’t miss out on anything happening before noon.

When I did awaken, I first decided to go to the Bilbao Guggenheim. After double-checking their hours of operation on their website and learning that from my hotel to the museum it was about a twenty minute walk along the brackish river Nervión I began my journey there. It was cold out but I was warmed by sun and the cities attractive mix of modernist and traditional architecture. Trekking there it appeared that the rest of Bilbao had also been waiting until a late in the day to become active. As I walked I reflected on the city, and my general nomadic experiences for quite a while. Soon, however, I arrived at the wavy titanium exterior of the museum.

In a word, the museum was disappointing. Were I to given the chance to visit again or not, chances are I’d allot my time for other activities – be it taking a long shower, spending more time drinking my café con leche while reading La Vanguardia or something equally mundane. This dislike of the collection was partially my fault for not having done more research into the permanent collection and in trusting in the aura of “Guggenheim” to be something worthwhile. The overwhelming majority of the museum were large, elemental installation pieces that I found to be marginally interesting but overwhelmingly pretentious in the scope of the work. When it comes to art I am admittedly a realist and romantic in taste and find most modern sculptures, plastic arts and paintings to be dreadfully lacking in redeeming qualities. There are times when I wonder if I am a philistine for having such negative views towards such art, but these disappear after I interrogate the reasons why I think this is so. The largest installation piece, taking up an entire room was naught but large pieces of wrought iron made so that you “lose yourself” by going into some of the pieces and see changes in shading in perspective in another

A string of Christmas tree lights of the type made in the seventies hanging from the ceiling as a means of referring to the 1980s AIDS epidemic. Sculptures without function or figuration whose features are supposed to allude to ur-artifacts and thus symbolize the totality of sculpture. One of the paintings that I did take a special pleasure in seeing, though not for it’s aesthetic qualities, was my first Julian Schnabel painting. When she was alive, my grandmother had told me when growing up Schnabel and my father were good friends. She told me how after he had returned from his first trip to Europe he had offered her several paintings in return for borrowed money that consisted of broken plates plastered onto a giant canvas. She’d said thanks but no thanks and suggested that he find a new occupation. Of course these paintings would later be a major parts of his career in the New York art scene and these particular works were his way of distinguishing himself from other artists working in the abstract expressionist medium. Looking at his works there I felt connected with her not just from the story but from my assessment of the work. I found myself more interested in wanting to read the book The Recognitions described in the Guggenheim audio commentary as being influential to Schnabel as well as other artists of the time, than the work itself. One section held numerous screen prints of Lenin in various colors, while another was of strange, non-functional shapes formed from wood, clay and metal.

While I recognize that some degree of commentary will always be needed for art – it seemed to me that most of the descriptions there were posted in order to make bad, facile art have a depth to which it isn’t able to convey on its own. Put another way, most high, complex art is to me just stupid. For instance, throughout my times in many a museum I have seen several paintings whose coloration is solely black or solely white. One may give all sorts of explanations as to the importance of *that* particular color choice and how it responds to a movement in art at their time or something else. But this applies equally for a blank canvas and seeing such pieces makes me feel as if someone is trying to get something over on me. Visual artists still have an aura to their works which has yet to be eradicated in the way that others artists have. Rarely if ever, for example, do you hear of a renowned author whose work only a few people understand.

I’ve probably devoted the same amount of time to the art at the Guggenheim Bilbao as walking there and back. After leaving there I walked down Alameda Recalde to Colon de Larreategui to look at the many old municipal buildings, statues of eminent personages past, small squares hidden within buildings and other beautiful works of living architectural art. This and Bilbao’s Old Town, to me are much more attractive and aesthetically edifying than anything held within the walls of the museum. Indeed I felt that the greatest aspects of the museum were outside it – the giant spider on the north side and the dog composed of plant lift in the front.

As I walked around the old town I saw several plaques indicating former residences that made my inner historian smile. The Latin American liberator Simon de Bolivar lived for a while in one of the apartments here and Miguel de Unamuno was born on one of the streets. While it’s hard for me to imagine such people there now, so far away from Spain’s golden era, but seeing such placards always brings me joy.

At night these streets lost their commercial luster as they became filled with small and large groups of twenty-to-fifty-somethings. In the areas closest to the river, thus closest to the newer and more expensive developments, were the older crowds hopping from one pinxhos bar to another in order to have a wide variety of snacks and drinks. The further one gets from the river on the east side the age of the crowd drops, the diversity increases and there is less emphasis on fine dining paired with regional wines and more emphasis on greasy foods and cheap drinking.

Placa Zumarraga marks the dividing line between the affluent and the less fortunate. As one leaves Casco Viejo and goes into Solokoetxe the crowd changes to metal heads, punks, rockers and their dogs and the odors from clean, river-scented air to the pungent smell of marijuana, old sweat, spilled beer and frying fats. This zone appeared to be the only space where the African community living further south appears to interact with the Basque youth at night, a place where those made marginal by chosen identity and forced history mingle. As I was more interested in culinary tourism than Bilbao’s wanton youth culture, I quickly ambled through the latter to spend our time in the former sampling pinxhos of different restaurants. There may have not been as many interesting radical and rock flyers – but the atmosphere was more convivial.

The next day I woke up early and took a bus to San Sebastian. I’d decided to go there on the advice given to me by one of my neighbors in my Barcelona apartment complex that had gone there the week before. The bus ride was cheap and the time to get there quick. I tried to start a conversation with a young Frenchman who was reading a copy of Naomi Klein’s book No Logo, but as my comprehension of French consists of a handful of words and his grasp of English was tentative at best I simply gestured with my hands that I found the book interesting, had seen the author speak before at the Brooklyn Book Festival and that it made me happy to see someone reading it.

From the bus departure point I ambled along the large pedestrian walkway past second hand clothes markets and small cafes along equally small squares towards the Cantabrian Sea. On my way to the waterfront I passed beautiful old buildings made with hewn stone. Some of that had, since being mortared together, turned into a climbing ground for vining plants and made the building look like a pretty admixture of 1st and 2nd nature.

When I finally arrived to the main beach pavilion, I was immediately taken aback by the natural beauty contrasted with the color scheme imposed upon the buildins surrounding it. Simply put, San Sebastian is a beautiful example of the type of small coastal towns along the north of Spain and south of France that has exceptional charm. I couldn’t resist walking down to the small sand beach to lay in the sun for a while to enjoy the heat, breeze and view.

After perhaps half an hour, I walked back up the stairs to the two-hundred foot wide boardwalk park interspersed with small statues, children’s play areas and a number of trees denuded of leaves now that winter was just beginning to make it’s presence felt. There were many young families pushing their children in fancy strollers and others holding their adolescents by the hand. I went to investigate a merry go round that looked like it was from the 50’s. The paint on the horses, swans and sleds may have been slightly cracked, but it still had an air of grandeur to it. I walked along the densely packed buildings adjacent to the wharf that hugged the high ridge with a thirty foots tall statue of Jesus looking down upon the town similar in appearance to the famous one in Rio de Janeiro. I walked past a large number of pastry shops exuding the intoxicating smell of sugar and butter, small clothes boutiques and vendors of baubles and tourist kitsch that I’ve not seen offered in other parts of Spain. I later entered a large stone government building that have been converted into mixed-use commercial space and just so happened to have one of my favorite restaurants in it, Gambrinus. While I felt somewhat guilty for eating Czech food in Pais Vasco, I have such rich and happy memories from eating such food when I’d lived in Prague that I couldn’t help myself form ordering some gulash and pivo. More health conscientious now, this time I substituted the requisite French fries for salad.
After that filling and relatively healthy meal, I decided that before sunset I’d walk to the top of the cliff overlooking the city. I returned to the area I just was on the street adjacent that which had taken me there and found myself distracted – both for want of coffee and sight of another beautiful beach.

In my quest for coffee I found discovered another beach to the east of the one I’d just been at with less people and more dogs. Here there was also a concrete wave break that I could walk down here and so feel the spray of the sea as the swells crashed against the rocks and see the crests became beautiful spumes. On one of the rocks I noticed ETA graffiti, the first evidence I’d seen of the Basque Nationalist group since arriving.

I walked along the beach for a little bit and even found a dog with an amiable owner that let me play fetch with him. I was somewhat shocked by this, as all the dogs I’d encountered in Spain were usually trained to ignore everyone but the masters. I went over and touched the water, so as to be able to say I did, walked along there for a while then decided to continue on my quest to see up close the statue, fort and lookout points.

On the tops of the steps of this church were visible two other churches. One was perhaps five hundred meters to the east of it and the other, larger one perhaps a thousand to the south. There was a spray painted anarchy sign on the carved wood door and metal handle of the church, which unnerved me. I’ve seen this sign spray painted on buildings throughout Spain and even understand the anarchist’s critique of the Catholic church here. That said I found the degradation of such old and skilled craftsmanship not as a sign showing of power but it’s very opposite. The church here has made this and many other buildings that bring people together while the anarchists, well, if they had something to show it certainly was not shown on any of the literature I’ve seen on the place. I continued strolling, past a movie theatre, a modern place of worship and arrived at stairs with a placard that indicated it was the beginning of the trail to the top. A group of teenagers were jovially hacemos un botellon at the top of this first steps.

The walk up the rocks was a mixture of stairs and pathways with oaks on either side. Though the temperature was in the teens (Celsius), I heated up fast from the physical exertion and after five minutes peeled off my jacket to make the trek more pleasant. I stopped at several vantage points that had both the city and the sea as it’s focal attraction. At one of these points, which had once been part of a fort protecting San Sebastian there was a large number of Spaniards from the town who seemed as if they came there as part of a weekly ritual. I briefly chatted with them then continued up another 500 feet to the main fort. On the way down I went down the second path that the guide in the tourist office had informed me of. On this route were I passed by several groups of youths picnicking in the grass, playing Frisbee and when we finally exited the park it was right by the large staircase immediately beside the docks.

Night was starting to fall and as there was little time left until the last of the buses returned to Bilbao I quickly make my way back to the bus station. The Gothic style church I’d passed earlier was now lit up with lights of various changing shades of red, blue and purple. The outdoor-seating areas of restaurants were slowly filling up and the young families were replaced with couples window-shopping. I waited perhaps fifteen minutes for the bus and sat towards the back. Being that this was the second to last bus of the night, this time the bus was completely full. A group of borrachas that were unable to sit together populated the seats around me and spoke loudly and crudely throughout the entire hour and a half trip back. By their faces I could tell those not with them were somewhat annoyed, but at the same time only partially so as they would sometimes crack a smile. As for me, I learned two new uses for the verb joder. Tired from our long adventures, after I got back I skipped extended pinxho hopping again and instead stopped in only two different places that I’d not visited the night before.

The next day was my last so I went to the Museo de Bellas Artes, which was both fantastic. One of the temporary exhibitions was of Anselmo Guinea, a Basque modernist painter whose works were exceptional and the other was of La Maleta Mexicana, which I’d seen and wrote about while this collection was in Barcelona. The permanent collection also had a number of fine works, and of course a section of gothic religious art that seems to be mandated in all Spanish museums. I spent perhaps three hours looking through and admiring many of the paintings. There was a small section with sculptures reminiscent of those I’d seen in the Guggenheim, but after mocking them I simply walked past them.

After leaving I wanted to do and see more, however the streets of Bilbao, just like the streets of Barcelona and I would presume every other area of Spain, were nearly empty and the doors to most of the restaurants, shops and cultural areas were closed. Sunday! There was a Chinese restaurants which was of course open, so I ended up having a nice buffet there before taking the bus to the airport. While my stay there was only three days, walking around through so much of the old town of Bilbao and San Sebastian, getting to see the major museums and experiencing pinxhos culture did not make me feel as if I had missed out on much. Certainly I’d passed over numerous gems, but at the same time it was so nice there that I promised myself to go back there again.